{"id":267,"date":"2011-05-06T10:45:18","date_gmt":"2011-05-06T10:45:18","guid":{"rendered":"http:\/\/velvetevents.es\/?p=267"},"modified":"2014-04-14T22:22:40","modified_gmt":"2014-04-14T22:22:40","slug":"produccion-de-los-dos-espectaculos-del-coreografo-virgilio-sieni-dentro-del-festival-grec-2011","status":"publish","type":"post","link":"https:\/\/velvetevents.es\/?p=267","title":{"rendered":"Producci\u00f3 dels dos espect\u00e0cles del core\u00f2graf Virgilio Sieni dins del Festival Grec 2011"},"content":{"rendered":"<p><a href=\"http:\/\/velvetevents.es\/wp-content\/uploads\/2014\/04\/sienni.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-268\" alt=\"sienni\" src=\"http:\/\/velvetevents.es\/wp-content\/uploads\/2014\/04\/sienni-300x137.jpg\" width=\"300\" height=\"137\" srcset=\"https:\/\/velvetevents.es\/wp-content\/uploads\/2014\/04\/sienni-300x137.jpg 300w, https:\/\/velvetevents.es\/wp-content\/uploads\/2014\/04\/sienni-100x45.jpg 100w, https:\/\/velvetevents.es\/wp-content\/uploads\/2014\/04\/sienni-150x68.jpg 150w, https:\/\/velvetevents.es\/wp-content\/uploads\/2014\/04\/sienni-200x91.jpg 200w, https:\/\/velvetevents.es\/wp-content\/uploads\/2014\/04\/sienni-450x205.jpg 450w, https:\/\/velvetevents.es\/wp-content\/uploads\/2014\/04\/sienni-600x274.jpg 600w, https:\/\/velvetevents.es\/wp-content\/uploads\/2014\/04\/sienni.jpg 645w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>El core\u00f2graf i ballar\u00ed Virgilio Sieni presenta dos treballs en el Grec del 2011, <i>Solo Goldberg. Improvisation<\/i>, al Lliure de Gr\u00e0cia i posteriorment presenta el resultat del treball que ha fet amb ancians, noies adolescents, invidents i immigrants per emular sis pintures que evoquen la baixada de la creu de Jes\u00fas. Una pe\u00e7a en qu\u00e8 el ballar\u00ed atorga al movement mec\u00e0nic, quotidi\u00e0 el pes de coreografia, dotant-lo d&#8217;intencionalitat.<\/p>\n<p>Sieni reconeix que no \u00e9s el mateix ballar amb 25 anys que amb una edat adulta. Per aix\u00f2, a <i>Solo Goldberg<\/i> remarca la import\u00e0ncia del proc\u00e9s perqu\u00e8 el cos arribi a una figura, m\u00e9s que a l&#8217;espectacularitat de les formes. Gran amant de la t\u00e8cnica, s&#8217;ha atrevit a coreografiar el joc m\u00e8tric de les partitures de Bach (<i>Variacions Goldberg<\/i>) amb un cos de ballar\u00ed que es rebel\u00b7la a retirar-se. El repte, per Sieni \u00e9s \u201ccom aconseguir el virtuosisme i aconseguir que el cos del ballar\u00ed continu\u00ef actiu fins a la mort\u201d. De fet, l&#8217;artista defensa com a nova descoberta el canvi constant del cos, que tendeix a l&#8217;envelliment.<\/p>\n<p><i>Sis descendiments de la creu al voltant de la Rambla<\/i> \u00e9s, per la seva banda, un espectacle itinerant. Els espectadors aniran en grups visitant el Palau de la Virreina, el Palau Moja, el Museu d&#8217;Hist\u00f2ria de Barcelona, La Seca, el Picasso i el convent de Sant Agust\u00ed. Aquests sis punts marquen la vertical a la Rambla i dibuixen una creu estrafeta. L&#8217;autor advoca, per exemple, per l&#8217;\u00faltim gest dels ancians. \u00c9s fruit d&#8217;un cos ja atrofiat per l&#8217;edat. S\u00f3n moviments que resumeixen el pas del temps. Un gest vital, apr\u00e8s de l&#8217;experi\u00e8ncia. Com a contrast, el gest buit, l&#8217;aporten noies de 14 anys, comenta Sieni. Han col\u00b7laborat al projecte l&#8217;ONCE; el centre de M\u00fasica, teatre i dansa Aules; el Casal de la Gent Gran Comer\u00e7; la Fundaci\u00f3 multicultural Mesclad\u00eds, i el Centre C\u00edvic Barceloneta. <i>Sis descendiments&#8230; <\/i>participa d&#8217;una xarxa europea que documenta realitats dels pobles de la Mediterr\u00e0nia.<\/p>","protected":false},"excerpt":{"rendered":"<p>El core\u00f2graf i ballar\u00ed Virgilio Sieni presenta dos treballs en el Grec del 2011, Solo Goldberg. Improvisation, al Lliure de Gr\u00e0cia i posteriorment presenta el resultat del treball que ha fet amb ancians, noies adolescents, invidents i immigrants per emular<span class=\"ellipsis\">&hellip;<\/span><\/p>\n<div class=\"read-more\"><a href=\"https:\/\/velvetevents.es\/?p=267\">Read more &#8250;<\/a><\/div>\n<p><!-- end of .read-more --><\/p>\n","protected":false},"author":1,"featured_media":268,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[],"_links":{"self":[{"href":"https:\/\/velvetevents.es\/index.php?rest_route=\/wp\/v2\/posts\/267"}],"collection":[{"href":"https:\/\/velvetevents.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/velvetevents.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/velvetevents.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/velvetevents.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=267"}],"version-history":[{"count":2,"href":"https:\/\/velvetevents.es\/index.php?rest_route=\/wp\/v2\/posts\/267\/revisions"}],"predecessor-version":[{"id":349,"href":"https:\/\/velvetevents.es\/index.php?rest_route=\/wp\/v2\/posts\/267\/revisions\/349"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/velvetevents.es\/index.php?rest_route=\/wp\/v2\/media\/268"}],"wp:attachment":[{"href":"https:\/\/velvetevents.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=267"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/velvetevents.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=267"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/velvetevents.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}